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Paul Ickovic, Street Photographer With a Passion for the Human Experience, Passes Away at 79 – The Gentleman Report – TheFantasyTimes

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By Jitin Gambhir

Paul Ickovic, Street Photographer With a Passion for the Human Experience, Passes Away at 79 – The Gentleman Report


Renowned photographer, Paul Ickovic, who was known for his captivating black-and-white portraits and street photography in exotic locations such as India, Nepal, Cuba, Paris, and Prague, passed away on May 23 at the age of 79 in his home in Prague. His brother, Thomas Ickovic, confirmed that the cause of his demise was heart failure.

Though not widely recognized, Ickovic’s dedication to capturing the diverse range of human experiences and his unique charm made his work truly special. His rugged and charismatic appearance often drew comparisons to Keith Richards.

He was often associated with the likes of Henri Cartier-Bresson and other photographers who embraced the concept of the “decisive moment” in street photography and photojournalism during the mid-20th century. In her review of his exhibition in 2005, Grace Glueck of The New York Times described him as a “wonderfully old-style photographer.”

Ickovic’s approach, like Cartier-Bresson’s, involved finding a suitable background and waiting for something interesting to happen in front of it. However, Ickovic had a desire to connect with his subjects on a personal level. He would often take photos surreptitiously and then develop friendships with the people he photographed.

The world has lost one of the most renowned photographers of our time. Paul Ickovic, who gained fame for his captivating black-and-white portraits and street photography in exotic locations such as India, Nepal, Cuba, Paris, and Prague, passed away on May 23 at the age of 79 in his home in Prague. His brother, Thomas Ickovic, confirmed that the cause of his demise was heart failure.

Despite not being widely recognized, Ickovic’s dedication to capturing the diverse range of human experiences and his unique charm made his work truly special. His rugged and charismatic appearance often drew comparisons to Keith Richards. Along with Henri Cartier-Bresson and other photographers who embraced the concept of the “decisive moment” in street photography and photojournalism during the mid-20th century, Ickovic was known for his unique style. In her review of his exhibition in 2005, Grace Glueck of The New York Times described him as a “wonderfully old-style photographer.”

Ickovic’s approach, like Cartier-Bresson’s, involved finding a suitable background and waiting for something interesting to happen in front of it. However, Ickovic had a desire to connect with his subjects on a personal level. He would often take photos surreptitiously and then develop friendships with the people he photographed. His photographs not only captured the beauty of the moment but also the essence of the people he photographed.

In conclusion, the world has lost a true gem in the field of photography. Ickovic’s work will continue to inspire generations to come.

Paul Ickovic, a photographer known for his captivating black-and-white portraits and captivating street photography in countries like India, Nepal, Cuba, Paris, and Prague, died on May 23 at the age of 79 in his home in Prague. His brother, Thomas Ickovic, confirmed that the cause of death was heart failure.

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While not widely recognized, Ickovic’s dedication to capturing the diverse range of human experiences and his unique charm made his work truly special. His rugged and charismatic appearance often drew comparisons to Keith Richards.

He was often associated with the likes of Henri Cartier-Bresson and other photographers who embraced the concept of the “decisive moment” in street photography and photojournalism during the mid-20th century. Grace Glueck of The New York Times described him as a “wonderfully old-style photographer” in her review of his exhibition in 2005.

His approach, like Cartier-Bresson’s, involved finding a suitable background and waiting for something interesting to happen in front of it. However, Ickovic had a desire to connect with his subjects on a personal level. He would often take photos surreptitiously and then develop friendships with the people he photographed.

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